

It can't be a coincidence that once the Beatles essentially stopped being a team and became each others' session players, Harrison flourished. Harrison was never given this opportunity until the last two real albums produced (White Album and Abbey Road), and suddenly his work shows a massive uptick in quality, both of writing and execution (Savoy Truffle, Piggies, Something, Long Long Long, Here Comes the Sun, While My Guitar Gently Weeps - all of these outclass his earlier work by miles). It is essential to keep in mind that L&M were given INCREDIBLE amounts of time for the era, virtually unlimited takes after 1965, to get the basic tracks right, and then to try dozens of approaches to the sweetening and vocals. His songs were only occasionally as good as L&M's, however there is no denying the fact, attested to by Martin, Parsons, and others, that Harrison got short shrift in studio time to realize his ideas. But he was an indifferent electric rhythm guitar player in my opinion. Harrison was great at coming up with carefully planned, often double-tracked parts, which added beauty and flavor at a higher level than McCartney or Lennon could offer (the 15 seconds or so of Harrison on Getting Better, e.g., truly makes the recording).


On the one hand, the evidence is quite clear that Ringo was far more crucial to the Beatles sound in the studio than Harrison - the band simply did not function well with any other drummer (rumors of McCartney sitting in are based on photos, not the meticulous records kept by Abbey Road when Ringo quit for 6 weeks in 1968, numerous replacements including Ginger Baker were tried, and no one was able to provide the subtle and generous and dare I say feminine approach that the Beatles suddenly discovered was a key ingredient in their process, causing them to beg for his return). Re: Harrison's relative contribution to the Beatles. bad planning, but not a scam or a failure.Ģ. The money DID go to refugee relief, BUT was delayed by 11 years because of the failure of organizers to apply for tax-exempt status. Sales of the iterations of the album and the movie raised about 12 million, to be administered by UNICEF.

The amount raised by the concert itself was about a quarter of a million dollars. But I feel I must address a couple of points raised.ġ. I totally understand the issues people express about this film: long without being either balanced or comprehensive curiously silent on some key events (perhaps Olivia Harrison's wishes are a factor here?) missing some key points of view (though getting Dylan, for example, to talk about anything in a useful way is notoriously difficult). I can't claim direct knowledge of the topics addressed by many reviewers here, but I can say that I have read just about every significant book published about The Beatles in general, and Harrison in particular. Reviewed by kdhymes 5 / 10 A few clarifications
